Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli (c. 1445 – May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a 'golden age'. <br/><br/> Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
Giuliano de' Medici (25 March 1453 – 26 April 1478) was the second son of Piero de' Medici and Lucrezia Tornabuoni. He was co-ruler of Florence, with his brother Lorenzo the Magnificent. <br/><br/> Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli (c. 1445 – May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a 'golden age'. <br/><br/> Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
Monuments officer Captain Deane Keller visited the Florentine museum repository at Montegufoni during the winter of 1944–45. Botticelli’s world-famous masterpiece, <i>Primavera</i>, was just one of the 246 paintings that had been stored at Montegufoni for safekeeping by Italian officials.<br/><br/> More disturbing was the disappearance of some 700 paintings and sculpture from the Uffizi, Pitti, and Bargelo museums, emptied by retreating German forces. From that moment, the Monuments Men began their work as art detectives, tracking every clue to determine the locations of the missing masterpieces.
Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli (c. 1445 – May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticellias as a 'golden age'.<br/><br/> Botticelli's posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting.<br/><br/> Simonetta Vespucci (nee Cattaneo; ca. 1453 – 26 April 1476), nicknamed la bella Simonetta, was an Italian noblewoman from Genoa, the wife of Marco Vespucci of Florence and the cousin in law of Amerigo Vespucci. She was renowned for being the greatest beauty of her age.
<i>Primavera</i>, also known as <i>Allegory of Spring</i>, is a tempera panel painting by Italian Renaissance artist Sandro Botticelli.<br/><br/> The history of the painting is not definitely known, though it seems to have been commissioned by one of the Medici family. It contains references to the Roman poets Ovid and Lucretius, and may also reference a poem by Poliziano.<br/><br/> Since 1919 the painting has been part of the collection of the Uffizi Gallery in Florence, Italy.
In the <i>Calumny of Apelles</i>, Botticelli drew on the description of a painting by Apelles, a Greek painter of the Hellenistic Period. Though Apelles' works have not survived, Lucian recorded details of one in his On Calumny:<br/><br/> 'On the right of it sits Midas with very large ears, extending his hand to Slander while she is still at some distance from him. Near him, on one side, stand two women—Ignorance and Suspicion. On the other side, Slander is coming up, a woman beautiful beyond measure, but full of malignant passion and excitement, evincing as she does fury and wrath by carrying in her left hand a blazing torch and with the other dragging by the hair a young man who stretches out his hands to heaven and calls the gods to witness his innocence.<br/><br/> She is conducted by a pale ugly man who has piercing eye and looks as if he had wasted away in long illness; he represents envy. There are two women in attendance to Slander, one is Fraud and the other Conspiracy. They are followed by a woman dressed in deep mourning, with black clothes all in tatters—she is Repentance. At all events, she is turning back with tears in her eyes and casting a stealthy glance, full of shame, at Truth, who is slowly approaching'.
Augustine of Hippo (Aurelius Augustinus Hipponensis, November 13, 354 – August 28, 430), also known as Augustine, St. Augustine, St. Austin, St. Augoustinos, Blessed Augustine, or St. Augustine the Blessed, was Bishop of Hippo Regius, the present-day Annaba, Algeria. He was a Latin-speaking philosopher and theologian who lived in the Roman Africa Province. His writings were very influential in the development of Western Christianity.<br/><br/> In his early years Augustine was heavily influenced by Manichaeism and afterward by the Neo-Platonism of Plotinus. After his conversion to Christianity and baptism in 387, Augustine developed a new approach to philosophy and theology, accommodating a variety of methods and different perspectives. He believed that the grace of Christ was indispensable to human freedom, and he framed the concepts of original sin and just war.